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Emagic Logic Audio Platinum 4.8
This article is out of date.
Emagic was purchased by Apple Computer who
has discontinued development of Windows versions of the software.
At that time I was preparing an
updated review of Logic for Windows. I was very happy with the progress made by
Emagic. However, not so happy that I was willing to completely change my studio
around to wire everything to a second computer (a Mac) to support that one piece
of software.
This site has discontinued
coverage of Emagic products except those available on the PC.
+

I have added my 4.7 comments to the top so that previous
visitors can read only the update and skip the part they have read before.
Logic Audio Platinum version 4.7 adds a few things over 4.5 but
the one I noticed the most was the fact that software synthesizer instruments
are not affected properly by aliased and looped sequences. The next step for me
will come in 5.0 (expected in September) in which aliased and looped sequences
will show up fully in notation. Currently you may be hearing loops or aliases of
sequenced material but only the original notes (not the aliases or loops) appear
in notation view. This makes it awkward to use notation view as your master view
since you are hearing things that you can not see in the notation.
I am ever hopeful that we will see a complete revamping of how
they handle multi-instruments so that there can be 128 banks and so that you can
browse a continuous or sub-category listing of existing patches without having
to deal with empty patch slots. Right now if Logic allowed 128 banks in a multi
you would still have to know which of the 128 banks you wanted in order to find
a specific patch. Furthermore, you would have to visually browse 128 patch slots
to find the patch. In Musicator, for example. Once you create a patch list for
an instrument you can browse to a category then see a simple list of patches. If
you want to sometimes search alphabetically and at other times search by
instrument type or patch number order you can set up multiple lists and use the
list you prefer to search for the patch on that occasion. I am sure Emagic would
benefit from an Explorer type columnar listing of patches where categories can
be sorted into sub folders and clicking the column heads (like name or family)
will sort alphabetically and a Find command will allow you to search for all the
patches with "guit" or "gtr" in the name present you with a
sortable list of only the patches fitting your search criteria.
(previous content)
Logic Audio is simply one of the most thoroughly thought out products I
have ever seen. Logic has a reputation, probably undeserved, for having a steep
learning curve. Emagic is trying hard to leave this reputation behind them by
adding new features, streamlining and reorganizing old ones, and changing the
default configurations. This reputation probably stems from the fact that Logic
allows you do many complex things. Most can be done in a variety of different
ways. Most features are accessible from almost anywhere in the program. This kind
of flexibility always comes at a price. New users can get lost investigating
every feature and become confused. Logic is easier to learn if you try to sort
the features by how likely you are to need them in everyday use. It also helps
to figure out how you will want to work and focus on the features and methods
that you will be using on a regular basis rather than learning what is hiding in
every nook and cranny of such a large program. Emagic has recognized the
importance of this and reorganized the menu system starting in version 4.0. Since everything you want seems to be everywhere you might need
it you can easily become frozen by indecision when trying to decide the best way to
proceed with almost every task. This can't really be called a fault of the program. Having
too many choices is what creative people thrive on. It can just be a bit much in the
beginning. Other software developers will often leave out features because they
are afraid they will confuse some of the users leading to more tech support
calls which cost the company money. I would rather Emagic leave those extra
features in the program and it seems as though they share this philosophy. I am constantly finding myself giggling with delight or staring with amazement
at all of the little things they have thought of incorporating into this program. I spend
a lot of time consulting, reviewing and beta testing so it is an occupational hazard that
I can't use a program without constantly stopping to note something that should be done
better or differently or some feature that would help a lot. With Logic I found a few of
those but more often I was just about to jot something down when I found that they had
already thought of it. I am rapidly running out of things to criticize. The last few
years
has seen the incorporation of Autolink to
SoundDiver, SoundDiver updates, the addition of plugins in DS2416 mode and more
recently addition of VST support and the ES1, EXS24 soft synths and many
more synths on the way. The way Multi Instruments are handled still needs reworking. But
the few shortcomings of using the ES1 seem to be only temporary according to
Emagic who plans more updates alleviate some of the restrictions involved in
using the ES1 and using it with the DSP Factory. I have had the ES1 for a while
now and am currently working on reviews of the ES1 and EXS24.
When Logic is configured to use the Yamaha DSP Factory (DS2416 + one
or more AX44 patch bays) Logic totally replaces its software mixing with the hardware
mixing (and other functions) of the DS2416 so, if you want to get the full functionality
of the DS2416 in Logic 4.1.1 then you have to give up some functionality. DirectX plugins
must occur
downstream from any native DS2416 processes. Also it appears that the Audio
Instruments are not yet available using the DS2416 native mode (this may have
changed in recent versions). I have not been
able to confirm this yet. But, if so, this may change in the near future. If
this is so they you can still use the Audio Instrument objects (i.e. the ES1 and
ReBirth) with the DS2416 in PCAV mode but you will lose some of the
functionality of the DS2416. Fortunately switching modes only involves
restarting Logic and Logic will try to change your audio configuration on the
fly avoiding even that step. There is a wealth of very good audio processing algorithms built into
the DS2416 and they are all done in hardware so not only will they probably sound better
than your DirectX Plugins but they won't suffer from stuttering or crashing and you can
use more of them at the same time without needing to own the fastest computer on the
market. As of version 4 feeding the audio from the SW1000XG directly via the
connector cable no longer requires running Yamaha's Patch utility to turn on
Sync to Sub as Logic now handles this properly once you use the right settings. Logic
has no support for selecting which MIDI channels are routed to which
audio channels for passing to the DS2416. It is possible to set this with an external
program that does support this feature (if you have one) but this is yet another
inconvenience, a bigger one this time. So far Autolink to SoundDiver has not
cured this since the first version of the XG driver does not support this
feature but that may in incorporated into a future version of the XG DLL for
SoundDiver. I have found Logic 4 be one of the most
thoroughly thought out and conceived programs, of any kind and I am pleased to
say out that they seem to be dealing with almost every issue that I have felt
the need to criticize.
Note: Logic Audio 4.5 & 4.7 did not contain the major patch handling
improvements I was hoping for. Maybe they will finally show up in 5.0 which is
due to come out in September.
You can link to Emagic's web site at http://www.emagic.de
(more specific links will be added soon)
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